The Top is the fifth studio album by British alternative rock band the Cure, released on 30 April 1984 by record label Fiction. It entered the UK Albums Chart at N°10 on 12 May. Shortly after its release, the Cure embarked on a major UK tour culminating with a three-night residency at the Hammersmith Odeon in London.
Date Created 2013-08-07. Genres Tech House, House. Rayd · may grooves TOP10. max millan aka milano top10 may 2013.
Mexican record producer, DJ and label owner of Dirty Music.
We have an official Take Me To The Top tab made by UG professional guitarists. Check out the tab . Backing track. Artist:Motley Crue Song:Take Me to the Top Album:Too Fast for Love Bassist:Nikki Sixx Tabber:Dev Fuld. This is such an awesome tune off the best Crue album, Too Fast for Love.
Bass tablature for Take Me To The Top by Motley Crue. Rated . out of 5 by 8 users. Master proper technique on bass with step-by-step beginner's lessons. Artist:Motley Crue Song:Take Me to the Top Album:Too Fast for Love Bassist:Nikki Sixx Tabber:Sind (Rocklvson). Key: x times a number.
Last weekend we asked our readers to pick the top 10 bass players of all time. Coming in at Number 10 is Victor Wooten, of Bela Fleck and the Flecktones. In many ways, Wooten picked up where Jaco Pastorius left off when he died in 1982. As the bassist in the Flecktones, Wooten has a funkier style than Pastorius, but both were masters of intricate jazz melodies as well as complex R&B arrangements. Every player in the Flecktones is a master, but when Wooten busts out a solo at a concert every jaw in the audience drops to the ground. Pastorius began his musical career as a drummer, but an early wrist injury forced him to switch to the bass. He quickly mastered the instrument, becoming obsessed with jazz fusion. In the Seventies he was one of the most sought-after bassists in that field, playing with Weather Report, Joni Mitchell, Ian Hunter, Herbie Hancock and many others.
Album · 2014 · 20 Songs. Jeremy Bass & Branchie. 2. Before (Dennis Cruz & Iuliano Mambo Remix).
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