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On the Hold Steady‘s sixth album, frontman Craig Finn is still finding new ways to chronicle the underside of dead-end partying (see the grueling opener, I Hope the Whole Thing Didn’t Frighten You ). The Brooklyn crew’s punked-up bar-band rock is more streamlined now. But the addition of a second guitarist makes for a big sound that gives Finn more room for detail and nuance. Almost Everything offers this classic image: The kid that went down isn’t dead/He just can’t find his phone. Get up, bro. You’ve got a life to waste. In This Article: The Hold Steady
But if there's one album I would choose for people not to listen to when introducing themselves to the band, it would be 'Teeth Dreams. A Hold Steady album is like sex: Even when it's bad, you're still having sex. There's nothing wrong with the album, but there are two things that could have been done better. The first is the mix. It's so washed out.
It suits them: Teeth Dreams is The Hold Steady’s least fussy, least mannered, least arch album. Not coincidentally, it’s very possibly their best. Fine though The Hold Steady’s previous albums have been, there’s always been something somewhat over-eager and over-anxious about the group, a self-consciousness that made them sound too keen to impress, and therefore – as is the cruelly paradoxical way of these things – less likely to actually do so. Listening to them often prompted the same unease as watching Finn’s frenetic, hyperactive stage demeanour: an admiration for the energy being brought.
The Hold Steady are getting ready to release their sixth studio album, Teeth Dreams, and now you can stream it via this site. Teeth Dreams sees the band getting back to basics, while also moving forward. Although most of the songs sound familiar - "Runners High" is very similar to Separation Sunday's "Hornets Hornets" and "Oats" is an acoustic waltz which sounds like Boys and Girls in America's "First Night" - the album also sounds new. Maybe that's because there are no anthems. Though frontman Craig Finn once sang on Stay Positive's. The Hold Steady talked to Billboard recently about the new album
Teeth Dreams The Hold Steady. More By The Hold Steady.
Teeth Dreams positions itself as a comeback effort of sorts for the Hold Steady, who stumbled with 2010’s transitional Heaven Is Whenever. Whereas that album never quite figured out what to do with the empty space left by departed keyboardist Franz Nicolay, Teeth Dreams finds our heroes a fully committed twin-guitar band ( rolling without keys, Finn says). To this end, they’ve hooked up with producer Nick Raskulinecz, best known for his work with Foo Fighters and Rush.
This album has an average beat per minute of 145 BPM (slowest/fastest tempos: 112/164 BPM). See its BPM profile at the bottom of the page. Tracklist Teeth Dreams. BPM Profile Teeth Dreams. Album starts at 154BPM, ends at 112BPM (-42), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by The Hold Steady.
|1||I Hope This Whole Thing Didn't Frighten You||4:01|
|3||The Only Thing||4:33|
|5||On With The Business||4:04|
|7||Wait A While||3:38|
|79301-83515-1||The Hold Steady||Teeth Dreams (2xLP, Album, Ltd, Yel)||Razor & Tie, Washington Square , Positive Jams||79301-83515-1||USA & Europe||2014|
|79301-83515-2||The Hold Steady||Teeth Dreams (CD, Album)||Razor & Tie||79301-83515-2||UK & US||2014|
|79301-83515-1, none||The Hold Steady||Teeth Dreams (2xLP, Album, 180)||Razor & Tie, Washington Square , Positive Jams||79301-83515-1, none||UK & US||2014|
|none||The Hold Steady||Teeth Dreams (13xFile, AAC, Album, 256)||Razor & Tie||none||Australasia||2014|
|none||The Hold Steady||Teeth Dreams (CDr, Album)||Washington Square||none||UK & US||2014|