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Yuri Liberzon - Acentuado flac album

Yuri Liberzon - Acentuado flac album

MP3 1168 mb. | FLAC 1119 mb. | WMA 1195 mb.

Performer: Yuri Liberzon
Title: Acentuado
Released: 2017
Style: Classical, Latin Jazz
Category: Jazz / Classical
Rating: 4.5 ✦

Produced: Yuri Liberzon and Nahuel Bronzini Recording and Mixing: Nahuel Bronzini Mastering: Piper Payne Design: Laura Oleaga Cabrera and Front and Back Photos: Jon McCormack Inside Photos: Strotz Photography. Recorded at Plymouth Church of Jazz & Justice, Oakland, California on: December 5-6, 2016 (tracks 1-6) June 21-22, 2016 (tracks 7-10) Guitars: Robert Ruck 2015 (tracks 1-6) Gil Carnal 2011 (tracks 7-10). Russian-born and Israeli-raised guitarist Yuri Liberzon ranks among today’s foremost classical guitarists in the United States and the world. His playing has been described as Transcendent technical prowess at the service of gracious musicality. He is a natural born guitarist. Guitar Society wrote: Mr. Liberzon was terrific. World-class mental acrobatics. Very pleasing results.

My new album ¡Acentuado! features music of Astor Piazzolla: Solo and duets with amazing flutist Josué Casillas. First 20 copies will be signed.

Acentuado! album featuring music of Astor Piazzolla has been picked up for distribution by Soundset Recordings. For starts, one gets the sense that there is nothing Yuri cannot do on the guitar. His virtuosity is understated and elegant and despite the way it serves the music, it is noticeably impressive.

Acentuado! Yuri Liberzon Yuriguitar. The four-movement Histoire du Tango (written in 1986) has become quite fashionable in guitar circles in recent years, played in many different duo combinations. Here it is presented as Piazzolla wrote it-for guitar and flute, with Puerto Rican flutist Josué Casillas joining forces admirably with Liberzon. All in all, it’s a solid and satisfying outing that reaffirms Piazzolla’s genius as a composer and also Liberzon’s skills as an interpreter of a wide range material.

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Explore releases from the Yuri Liberzon label. Discover what's missing in your discography and shop for Yuri Liberzon releases. Ascension ‎(CD-ROM, Album).

Yuri Liberzon songs download, free online mp3 listen. The Old Lime Tree (Lipa Vekovaia). Rudnev: The Old Lime Tree (Lipa Vekovaia). Violin Partita No. 2 in D Minor, BWV 1004: II. Courante. Tango-Études: No. 6, Avec anxieté. Scarlatti: Sonata ., L366. Bach: Partita No. 2 in D Minor for Solo Violin, Bwv 1004 - 1. Allemande.


1 Tango-Études - No. 1, Decidé 3:20
2 Tango-Études - No. 2, Anxieux et rubato 8:40
3 Tango-Études - No. 3, Molto marcato e energico 4:11
4 Tango-Études - No. 4, Lento, meditativo 3:48
5 Tango-Études - No. 5, Sans indication 2:14
6 Tango-Études - No. 6, Avec anxieté 4:22
7 Histoire du Tango - Bordel 1900 3:58
8 Histoire du Tango - Café 1930 7:45
9 Histoire du Tango - Nightclub 1960 6:02
10 Histoire du Tango - Concert d'aujourd'hui 5:56

Companies, etc.

  • Copyright (c) – Yuri Liberzon
  • Mastered At – Piper Payne



The six Tango-Études were written in 1987 for solo flute during the later years of Astor Piazzolla’s career. While not abandoning his connection to the tango, Piazzolla returned to a more “classical” style of composition.
Being familiar with Piazzolla’s more famous works (both originally written for guitar and arrangements), I was thrilled to discover the Tango- Études after listening to Manuel Barrueco’s recording of his own transcription for guitar. This work immediately grabbed my attention and I recognized Piazzolla’s familiar, yet unique compositional style. The tango rhythms and gorgeous melodic lines made me fall in love with this set of études. Each étude is based on a different musical idea and works very well as a set; similar in fashion to Johann Sebastian Bach’s sonatas and partitas for solo violin. Barrueco’s transcription is superb, very demanding both technically and musically. With had implied voices, harmonies, and accompaniment figures, Barrueco manages to retain Piazzolla’s style; making it sound as if yet so I have written the words for the guitar.
I am infinitely grateful to Maestro Manuel Barrueco, my former teacher, for his mentorship and inspiration and in particular for this wonderful addition to the guitar repertoire.

Histoire du Tango

Written in 1986 for flute and guitar as a set of four movements, Histoire du Tango is one of Astor Piazzolla’s most famous works. It attempts to convey the history and evolution of tango. Below are excerpts from Piazzolla’s program notes describing each movement:

Bordel, 1900: The tango originated in Buenos Aires in 1882. First it was played on guitar and flute. Arrangements then came to include piano and concertina. This music is a high-spirited tango, full of grace and liveliness. It paints a picture of the good-natured chatter of the French, Italian and Spanish women who worked in the bordellos as they enticed the policemen, thieves, sailors and clientele who came to see them.

Café, 1930: This is another age of the tango. People started preferring to listen to tango rather than dance to it. This kind of tango underwent a total transformation: it became more musical and more romantic, the movements are slower, with new and often melancholic harmonies. The tango of this period is sometimes sung as well.

Nightclub, 1960: During this period, a fusion of Brazilian bossa nova and Argentinian tango is occurring. This marked a revolution and a profound alteration in some of the original tango forms and became part of the popular culture.

Concert d’aujourd’hui: Some concepts in tango music become intertwined with modern music. Bartok, Stravinsky and other composers reminisce to the tune of tango music. This is today’s tango, and the tango of the future as well.

Barcode and Other Identifiers

  • Barcode (Popular and less known music by Astor Piazzolla.): 638266929010